Theatergoers have had their appetite for nostalgia sated this season with the Broadway revival of Lost Boys, a musical that blends the grit of 1980s nostalgia with the supernatural charm of vampire lore. Directed by Tony winner Anna Shapiro, this production doesn’t just rely on the cult classic film’s reputation—it carves out its own identity while honoring the source material. The result is a show that feels both familiar and fresh, with a darkly comedic edge that lingers long after the final bow.

The Plot and Its Modern Twist

Set in 1987, Lost Boys follows the Emerson brothers, Michael and Sam, as they navigate the dangerous allure of a gang of teenage vampires known as the Lost Boys. The story explores themes of family, rebellion, and the loss of innocence, all wrapped in a synth-heavy soundtrack that pays homage to the era. This revival, however, doesn’t just mimic the original film; it recontextualizes it for a contemporary audience.

The production’s most striking innovation is its framing device. The show opens with a meta-theatrical sequence where the actors break the fourth wall to explain their characters’ motivations. This choice serves a dual purpose: it grounds the fantastical elements in emotional realism, and it invites the audience to engage more deeply with the story. The result is a production that feels intimate despite its high-energy choreography and sweeping set designs.

Standout Performances

The cast is led by Ben Platt as Michael Emerson, delivering a performance that balances vulnerability and swagger. Platt’s singing voice—already a standout from his Tony-winning turn in Dear Evan Hansen—shines in numbers like “Cry Little Sister,” a modernized version of the film’s iconic ballad. His chemistry with Sam Primack, who plays younger brother Sam, feels authentic, grounding the supernatural shenanigans in genuine familial tension.

The ensemble, particularly Jordan Fisher as David, the leader of the Lost Boys, steals scenes with his magnetic stage presence. Fisher’s rendition of “People Like Us” is a showstopper, blending rock bravado with a haunting vulnerability that makes David more than just a one-dimensional villain. The supporting cast, including Lauren Patel as Star and Ethan Slater as Laddie, round out the production with energy and heart.

Direction and Choreography: A Visual Feast

Anna Shapiro’s direction is the backbone of this revival. She embraces the show’s campy roots while infusing it with a modern sensibility that avoids feeling like a mere nostalgia trip. The choreography, led by Jamal Sims, is a highlight, blending 1980s-inspired dance moves with contemporary flair. The vampire sequences, in particular, are a visual spectacle, using minimalist staging to create a sense of eerie, otherworldly grace.

The set design, by David Korins, is a marvel of versatility. The stage transforms seamlessly from the Emerson family’s suburban home to the neon-lit streets of Santa Carla, all while maintaining a cohesive aesthetic. The use of LED screens and practical lighting adds depth and texture, immersing the audience in the show’s world without relying on flashy gimmicks.

Music and Lyrics: A Nostalgic Yet Fresh Soundtrack

The music of Lost Boys is a love letter to the synth-pop and rock of the 1980s, but the creative team—led by composer Justin Paul and lyricist Benj Pasek—has infused it with a modern edge. The score retains the spirit of the original film’s soundtrack while adding new layers of complexity. Tracks like “Lost in the Shadows” and “Brotherhood” are standouts, blending soaring melodies with darker undertones.

The lyrics, too, are a highlight. They strike a balance between witty and poignant, capturing the essence of teenage rebellion and the struggle to belong. The ensemble numbers, particularly “We Are the Lost Boys,” are infectious, driving the narrative forward with energy and emotion.

What Works and What Falls Short

This revival of Lost Boys is not without its challenges. One of the most notable hurdles is the source material itself. The original film, while beloved, is not without its flaws—particularly in its portrayal of women and its reliance on tired tropes. While the creative team makes strides to address these issues—giving Star and Lucy, the love interest, more agency and depth—some critics argue that the show could have done more to subvert its source material entirely.

Additionally, the show’s pacing occasionally stumbles. The first act drags in places, particularly during the exposition-heavy scenes that set up the world of the Lost Boys. The second act, however, more than makes up for it, delivering a series of high-energy, emotionally resonant moments that leave audiences exhilarated.

Despite these minor missteps, Lost Boys succeeds in capturing the spirit of the original while carving out its own identity. It’s a show that understands its strengths—its music, its performances, and its visual flair—and leans into them. The result is a production that feels both timeless and timely, a rare feat in an era where revivals often struggle to justify their existence.

A Must-See for Theater and Film Fans Alike

Lost Boys is more than just a nostalgia-fueled spectacle; it’s a thoughtful reimagining of a cult classic that respects its roots while pushing boundaries. Whether you’re a fan of the original film or a lover of musical theater, this production offers something to savor. The performances are strong, the music is infectious, and the direction is bold and inventive.

If you’re looking for a show that balances humor, heart, and a touch of darkness, Lost Boys is worth the trip to the theater. Just be sure to book your tickets in advance—this revival is sure to be a hot ticket this holiday season.

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